Rib Gets In the Way: Final Thoughts Series Three 53 min., 2014
The Tiny Ventriloquist: Final Thoughts Series Two 61 min., 2012
Final Thoughts, Series One 83 min., 2007
The Hundred Videos 289 min., 1989 — 1996
Needle Work . 2012.
Some Drawings. Ink on paper, 9 X 12", 2012.
Needle Work . 2011.
Some Drawings. Ink on paper, 9 X 12", 2011.
Needle Work . 2010.
Some Drawings. Ink on paper, 9 X 12", 2009/2010.
Some Drawings. Ink on paper, 9 X 12", 2008.
Horn House . Audio, 2007.
The American Military Casualties of the Second Gulf War for Whom Photographs Were Available as of November 6, 2006 Arranged by Attractiveness. Four archival inkjet prints, 2007.
Untitled. Felt, found fabric, 2007.
Empathy. Felt, 2007.
History. Felt, 2007.
No Means / All Ends . Archival inkjet print, 2007.
sodomy. Three drawings, 2006.
Family (Mother & Child / Ancestor) . Archival inkjet prints, 2006.
Calling Card (After Piper), Performance kit, multiple, 2005
Guernica, Drawing and found photograph on paper, 2005
Elaborated Frames, Three drawings with found photographs, 2005
Bambi, Text on found pastel drawing, 2005
Garden, Drawing, pigemented gel medium on vellum, 2005
Project for Sound Canopy, Audio installation, 2004
Flask, Engraved pewter flask, multiple, 2004
The Flawed and the Fallen, Found Polaroids with metallic leaf, 2004
Painter, Single channel video installation, vertical orienation, 2004
Duck, Drawings, pigemented gel medium on vellum, 2004
Finnegan's Wake, Audio book, work in progress/abandoned, 2003
Anal Masturbation and Object Loss, Bookwork and print, 2002
Duchamp Wipe, Audio installation / bookwork, 2000
Living in Los Angeles, Three slides for projection in a movie theatre, Curated by Karen Atkinson, Los Angeles, 1999
Untitled, Set of seven laser prints, edition of 33, 1998
Dear Felix, Handwritten text on Gonzales-Torres paper, 1998
Incidents of Travel, Bookwork, 1998
Treehouse, Installation, Power Plant, 1998
Collaborative Drawings, with Jay Wilson, 1998
Collaborative Paintings, with Jay Wilson, 1998
My new boyfriend, Billboard, 1997
The Year in Dreams, Chapbook, Sugar Press, 1997
Mr. Green, Intercative CD-ROM, 1996
Dermaboy, Photograph, 1996
The Shimmering Beast, Coach House Books / Gallery 400, University of Illinois at Chicago / WhiteWalls Inc, 2011.
Blast Counterblast, co-editor Anthony Elms, Mercer Union / WhiteWalls Inc, 2011.
The Sharpest Point: Animation at the End of Cinema, co-editor Chris Gehman, YYZ Books, 2005.
Everybody Loves Nothing: Video 1997 — 2004, Coach House Press, Toronto, 2004.
Lux: A Decade of Artists' Film and Video, co-editor Tom Taylor, YYZ Books and Pleasure Dome, 2000.
By the Skin of the Tongue: Artist Video Scripts, co-editor Nelson Henricks, YYZ Books, 1997.
Writings, Lectures, Interviews
James Richards, = =, Issue 2, Matt Keegan, ed., 2012.
Nelson Henricks: Mute Rhythms, Nelson Henricks: Time Will Have Passed. Le Temps Aura Passé, Steve Reinke, ed., Galerie Leonard & Bina Ellen Art Gallery, 2010.
Nelson Henricks: Rhythmes Muets, Nelson Henricks: Time Will Have Passed. Le Temps Aura Passé, Steve Reinke, ed., Galerie Leonard & Bina Ellen Art Gallery, 2010.
On the Beach, Marginal Waters: Doug Ischar, Golden, 2009.
Death and Sudden Death (After Dr. Brouardel), Cabinet, Issue 36, 2009.
Life Without Life (The Camels Are More Human), Life Without Death: The Cinema of Frank Cole, Mike Hoolboom and Tom McSorley, eds. Canadian Film Institute, 2009.
End of Analog, Essay to accompany the exhibition The End of Analog curated by Eric Fleischauer for Roots and Culture, Chicago, 2009.
The Artist That Therefore I Am, Essay to accompany the exhibition John Marriott: Eavesdropping on Objects YYZ, Toronto, 2008.
Steve Reinke: My Rectum is Not a Grave, Practical Dreamers: Conversations with Movie Artists, Coach House, 2008.
Jim Trainor, Catalogue essay, Aurora 2007: Possible Worlds, 2007.
Adam Broomberg and Oliver Chanarin: Chicago, Book review , Prefix Photo 15, 2007.
Ryan Fenchel , Block Auditorium, Northwestern MFA Thesis Exhibition Opening, 2007.
Even if the Dead Speak and the Living Listen It is Still Not a Conversation: Sharon Switzer's Falling from Grace, McMaster Museum of Art, 2006.
On The Mendi, Panel presentation, Images, 2006
The World is a Cartoon: Stray Notes on Animation, The Sharpest Point: Animation at the End of Cinema, Chris Gehman & Steve Reinke, eds., YYZ Books & Ottawa Animation Festival, 2005
Reinke Interviewing Kibbins, Grammar & Not-Grammar:Selected Scripts and Essays, Gary Kibbins, Andrew J. Paterson, ed. YYZ Books, 2005
Four Essays on the Occasion of the Robert Lee Retrospective, Images 2005, Festival catalogue, Toronto, 2005
Adad Hannah: Folk and Still, Gallery TPW, 2005
Statement on Statements, Privately circulated document, 2005
Sad Disco Master: Reinke Talks with Hoolboom, Everybody Loves Nothing: Scripts 1997 — 2004, Coach House Press, 2004
The New Everyday (The Day Before Tomorrow). Curatorial essay, Pleasure Dome, Toronto, 2004
Necessary Polarities, Susan Kealey: Ordinary Marvel, edited by Jennifer Rudder, YYZ Books and the Southern Alberta Art Gallery, 2003
America Annihilates Consciousness, Program notes, Smart Project, Amsterdam, 2003
Jeanne Randolph's Why Stoics Box, C Magazine, Fall 2003
Art Blog, Centre of Attention, 2003
Notes on My Emigration, Public 25: Experimentalism, Winter 2002
Preliminary Descriptions, Open Hours: An Exhibition by Germaine Koh, McMaster, Hamilton, 2002
Letter from Chicago, C Magazine, Spring 2002
Emily Vey Duke and Cooper Battersby, YYZ, Toronto, 2002
Kitchener-Berlin: Or How One Becomes Two (Or None), Landscape with Shipwreck: First Person Cinema and the Films of Philip Hoffman, ed.Karyn Sandlos & Mike Hoolboom, Insomniac Press, 2001
Video Scripts, Magnetic North: Canadian Experimental Video, ed. Jenny Lion, Minnesota, 2001
Sharon Switzer's Time Out, Redhead Gallery, Toronto, 2001
July, Text for Miranda July screening, Pleasure Dome, 2001
Seltzer Pants, Curatorial essay, Smart Project Space, Amsterdam, 2001
Jeremy Drummond, Text to accompany project for Blueprint catalogue, Pleasure Dome, 2001
Economies of Desire: The Videos of Rodney Werden, Felix, Spring 2000
Gendering the Nation, Fragment of unpublished book review, 2000
Kuchar 2000, Program notes, Pleasure Dome, 2000
The Blind Necrophile, Alphabet City, Volume 8, Spring 2000
Attack (Retreat), Curatorial essay, Argos Gallery, Brussels, 2000
In every box, a weasel., Exhibition essay for Barb Webb at Open Studio, Toronto, 2000
Untitled Monologues, I've Got to Stop Talking to Myself, ed. John Marriott, 2000
The Story of Lucky Strike, Unpublished non-fiction, 1999
Splice This, Essay for the Splice This! Festival catalogue, 1999
Death Drive 2000, Monologue, unpublished, 1999
Michael Damien Buckland Moppett, Catalogue essay, Gallery TPW, Toronto, 1999
Transmissions, Rejected catalogue essay, Free Parking, Toronto, 1998
Georganne Deen, C Magazine, Fall, 1998
Fresh Acconci, Program notes, Pleasure Dome, 1998
Interview, Tour guides of the Centre Internationale d'Art Contemporain, Montreal, 1998.
Introduction, Plague Years, Mike Hoolboom, (ed. Steve Reinke) YYZ Books, 1998
Donigan Cumming, Incomplete program notes, Pleasure Dome, 1998
Porter, Superstar, The John Porter Film Activity Book, Pleasure Dome, 1998
MCLUHAN/NECROLOGY, Unrealized curatorial proposal, 1998
Introduction, By the Skin of Their Tongues: Artists' Video Scripts, YYZ Books, 1997
Why I am a Surrealist, By the Skin of Their Tongues, YYZ Books, 1997
David Morrow: Aimless Paintings, C Magazine, Summer 1997
Big Dick Time, Curatorial essay, YYZ, 1997
My Next Project, Steve Reinke: The Hundred Videos, ed. Philip Monk, The Power Plant, 1997
Love Flies Through the Air, Mercer Union, 1996
The George Kuchar Experience, Exhibition catalogue, YYZ/Pleasure Dome, 1996
Forget hysteria..., Curatorial essay on Laurel Woodcock, YYZ, 1996
Review of Cheryl Sourkes' Genes and Genesis, Mercer Union, 1996
My Task, 10eme Video Art Plastique, Centre d'Art Contemporain Basse-Normandie, 1996
Stephen Andrews, Unpublished review, 1996
Artist Profile: Joanne Bristol, ICON, February 1996
Artist Profile: Jim Anderson, ICON, January 1996
Review of Corpus Loquendi, (exhibition), Fuse, Vol. 18, No. 6, Winter 1995
Review of Mirror Machine, (book), Fuse, Vol. 18, No. 5, Fall 1995
Catalogue essay, Duke-U-Menta exhibition, 23rd Room, Toronto, 1994
Michael Snow's The Last LP CD: Unique Last Recordings of the Music of Ancient Cultures, Unpublished review, 1994
My Future Plans, Catalogue essay for Moritz Gaede: Stills, Eye Level Gallery, Halifax, 1994
Michael Snow's Music/Sound, Fuse, Volume 17, No 5 + 6, 1994
Famous last words: Artworks reveal how the dead threaten to fade from our memory, Xtra!, Jun 24, 1994
M. Butterfly: Cronenburg's latest exploration of homosexuality bears strange fruit, Xtra!, Oct 29, 1993
More than just a big dick: Fond memories of late porn star Al Parker, Xtra!, No. 235, Sept 3, 1993
Some Poems, unpublished
Chaffinch Neurogenesis, Rampike, Vol. 7, No. 3, Spring 1992
Four Prose Poems, Descant, No. 74, Fall 1991
How We Dance, The Malahat Review, No. 90, Spring 1990
Three Angels Contained by Architecture, Rampike, Vol. 6, 1990
Desire in Scorsese's After Hours, cineACTION, Fall 1986
Shedd, Jeremy Stephen. A Bit of This and a Bit of That: Steve Reinke at Gallery 400. f News Magazine, December, 2010
Gronlund, Melissa. Steve Reinke. Frieze, March, 2009
Rehme, Sandra. Steve Reinke: Lux28. Time Out London, December 11, 2008
Wells, Paul and Hardstaff, Johnny. Art as Politics, Politics as Art, Re-Imagining Animation: The Changing Face of the Moving Image, AVA Publishing, 2008.
Davies, Jon. Book Review: The Sharpest Point. Canadian Journal of Film Studies, March 1, 2008
Pugh, Adam. Intra Terrestrials, Catalogue essay, Aurora 2007: Possible Worlds, 2007.
Davies, Jon. Steve Reinke's ruthless untruths. Xtra!, March 1, 2007
Davies, Jon. Irony Rising: The Body and AIDS in the 1980s . Curatorial Inubator, 2007
Mavrikakis , Nicolas. Corps social: Claire Savoie et Steve Reinke. Voir, Feb 1, 2007
Artfag. Steve Reinke. Online review of Cinemateque Ontario screening, Toronto, 2007.
Jager, David. Reinke Rankles. Now Magazine, Feb. 1, 2007.
Waugh, Thomas. The Romance of Transgression in Canada. McGill-Queens Press, 2006.
Hoolboom, Mike. Steve Reinke: 100 Videos. Unpublished ficto-criticism.
Davies, Jon. Review of Everybody Loves Nothing. University of Toronto Quarterly, Vol. 75, No. 1, Winter 2006
Paterson, Andrew James. There's Too Much Love in the World. POV, Issue 56, Winter 2004/2005
Ellenberg, Marianna. The Acousmatic Landscape of Steve Reinke’s Video Essays: (or aural and bodily fissure in the digital age). MA Fine Art Media Thesis, Goldsmiths, September 2005
McKay, Sally. 6-17-2005. Online review of Regarding the Pain of Susan Sontag, Gallery TPW, Toronto, 2005
Davies, Jon. Eloquent Ambiguity: Sleazy and sweet imaginings. Xtra!, July 7, 2005
Balzer, David. Regarding the Pain of Susan Sontag. Eye Magazine, July 2005
Gibson, Shay. A Very Personal Look: Toronto Video Art from the 70s to the Present, Art Gallery of York University, Toronto, 2005
Davies, Brian Joseph. Everybody Loves Nothing. Geist, Issue 55, Winter 2004
McKay, Sally. 9-23-04. Online review of Everybody Loves Nothing, Book launch, Rivoli, Toronto, 2004
Artfag. Steve Reinke. Online review of Robert Birch exhibition, Toronto, 2004.
Cockburn, Daniel. Steve Reinke's Anthology of American Folk Song. Online review, 2004.
Davies, Jon. Humiliation: Queering a culture in crisis. Xtra!, Sept. 30, 2004
Balzer, David. Eye Candy: Steve Reinke. Eye Magazine, Sept. 2, 2004
Duke, Emily Vey. Emily Vey Duke's Top 10, Coterie, Chicago, Vol. 1, No. 1, 2004.
Willemsen, Paul. Monologues of Disembodiment: Figures of Discourse in Steve Reinke's Video Work. Stuff It: The Video Essay in the Digital Age, ed. Ursula Biemann, Springer, 2003
Gibson, Ross. How Photographs are Stored in the Brain. Remembrance + the Moving Image, Australian Centre for the Moving Image, 2003
Harris, Kyle. Through the Pleasure Dome: On Lux: A Decade of Artists' Film and Video. Film and Philosophy, Volume 7, No. 48, 2003
Mark, Lisa Gabrielle. The Peripheries of Stuff: Steve Reinke's Afternoon. Argos Festival, 2002
Mark, Lisa Gabrielle. De dingen en hun periferie: Steve Reinke's Afternoon. Argos Festival, 2002
Cockburn, Daniel. Why I Hate Steve Reinke. Catalogue essay for Why I Like Ugly Boys: Recent Videos by Steve Reinke, Pleasure Dome, 2002
Davies, Nicolas. Jolie laid: The beautiful ugly world of Steve Reinke. Xtra!, Dec 12, 2002
Hodder, Ian. Sex-ploration: Nervy shorts push sexual and gender boundaries. Gay City News, Vol 1, Issue 25, Nov 15-21, 2002
Marks, Laura U. Ten Years of Dreams About Art, Touch: Sensuous Theory and Multisensory Media, Minnesota, 2001
Gingras, Nicole. Body, Voice, Narrative. Magnetic North, ed. Jenny Lion, Minnesota, 2001
Toppings, Michael. Steve Reinke: The Hundred Points. Writing for Electronic Media, Saskatoon, 2001
Sarkin, Hank. Picking up the pieces: Spiritual Animal Kingdom, Chicago Free Press, Chicago, Jan. 11. 2001
Bailey, Cameron. Reinke's final cut, Now Magazine
Marks, Laura U. The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses, Duke, 2000
Marks, Laura U. Video's Body: Analog and Digital, Nach dem Film, 2000
Various authors. SR, Threadwaxing Space, New York, 2000
Metcalfe, Robin. The Black Box: The Videos of Steve Reinke, Parachute, no. 100, 2000
Butt, Gavin & Jon Cairns, Steve Reinke's Archival Imaginary, Critical Quarterly, Vol. 2, #3, 2000
Jones, Jonathan. Mind Over Matter: Steve Reinke, The Guardian, February 17, 2000
Arning, Bill. Artist of the Month, Honcho, December 1999
Wagner, Frank. Fluchtige Portraits, Neue Gesellschaft fur Bildende Kunst/REALISMUSSTUDIO, 1999
Marks, Laura U. Loving a Disappearing Image, Cinemas, Vol. 8, Nos. 1-2, 1998
Duke, Emily Vey. Some Babies are Just Born Sad, Catalogue essay, Anna Leonowens, Halifax, 1998
Kibbins, Gary. Flaming Creatures: New Tendencies in Canadian Video, Agnes Etherington Arts Centre, 1997
Zelinski, Ger. Steve Reinke at Power Plant, Parachute, #88, Fall, 1997
Askevold, David. Steve Reinke: How I Became Subtle, Brochure text for exhibition, Halifax, 1997
Mark, Lisa Gabrielle. Steve Reinke, Poliester, Vol.6, #19, Summer 1997
Jordan, Betty Ann. Reinke's talent shines in video show, Globe and Mail, Thursday February 20, 1997
Monk. Philip. Talk Shows and Case Studies, (Exhibition catalogue), The Power Plant, 1997
Fargier, Jean-Paul. Art video affrontent l'ordre mediatique mondial, Le Monde, Dimanche 1er Decembre 1996
Kibbins, Gary. Tapes That Think, Agnes Etherington Arts Centre, 1996
Patten, James. Mighty Morphing Identities, London Life Young Contemporaries 96, LRAHM, 1996
Salzman, Gregory. An Alienated Embrace, C Magazine, #48, Winter 1996
Taubin, Amy. The Boy Boy Girlie Girlie Show, The Village Voice, January 23, 1996
McKay, Sally. Beauty #2 at the Power Plant, Flash Art, December 1995
Goddard, Peter. Outside dream factory are gems to savor in charming quirkiness, Toronto Star, Dec 29/95
Files, Gemma. Man with a serious mission: Steve Reinke hopes to complete 100 videos by the year 2000, Eye, 1995
Monk, Philip. Beauty #2, (Exhibition Catalogue), The Power Plant, 1995
Hume, Christopher. Ten emerging artists mount landmark show at Power Plant, The Toronto Star
Marks, Laura U. Review of Steve Reinke at YYZ, Artforum, May 1995
Folland, Tom. My So-Called Life, Review of Steve Reinke at YYZ, Fuse, Vol. 18, No. 4, Summer 1995
Goddard, Peter. Videographer Reinke launches 64 new shorts, The Toronto Star, February 9. 1995
Bailey, Cameron. Reinke's mastery grows, Now Magazine, February 9, 1995
Gay, Michelle. The Autobiographical Imperative, Mercer Union, 1994
Sergejewski, Sasha. Steve Reinke (MFA '93) at Oboro, NSCAD Alumni, 1994
Bailey, Cameron. Reinke Rises, NOW Magazine, January 27, 1994
Demchuk, David. Beguiling images blurred: Steve Reinke takes the tedium out of art video, Xtra!, Jan 21, 94
Bailey, Cameron. Best of 1993 Film, NOW Magazine, December 31, 1993
Cowan, Noah. Inside Out, over the top, and around the bend, Eye, 1993
Bailey, Cameron. Gay fest juggling community interests, NOW Magazine, May 6, 1993
Bailey, Cameron. Signs of a Generational Shift: Best of 1992 Film, NOW Magazine, December 31, 1992
Eamon, Christopher. Steve Reinke explores sex, epic films and video, Xtra!, July 26, 1992
Cowan, Noah. A mix of seldom seen and spanking new, Eye, 1992
Bailey, Cameron. Reinke work conceptually swift and sophisticated, NOW Magazine, July 2, 1992
Sonbert, Warren. Odd Shorts for Queer Boys: Dynamite Program, San Fransisco Bay Reporter, June 1992
Jesus Sneaker Freak Pride Toronto, funded through Canada Council, curated by Sharon Switzer. Not shown because of copyright issues. 3 1/2 min., 2008
Jesus Sneaker Freak Silent version for TTC subway monitors. 1 min., 2008
Against Education To accompany presentation by Jennifer Montgomery. 1 min., 2007
One Night at Andre's Made for a a bronson's sex program at Oberhausen, 1 min., 2007
Punch & Judy Parthenogenesis Sketch, potentially embarrassing. 8 min., 2006
Ripples Sketch. 7 min., 2008
The Blind Necrophile Collaboration with J.-P. Kelly and Anne Walk. 5 min., 2008
Blogger's reaction to Anthology of American Folk Song at Monkey Town
Kind mention in Butt magazine #19
100 most frequently occuring words in Everbody Loves Nothing: Video 1997 — 2005
Invitational Bookwork, YYZ, 1999
Invitation, Collected Portable Works: Videos, Books & Drawings, Argos and Etablissement d'En Face, Brussels, 1998
Exhibition documentation, Roebling Hall, Williamsburg, 1998
Handwritten texts, Larchmont Hotel stationery, c. 1998
Invitation, Big Dick Time, YYZ, 1997
Promotional card, VHS edition of The Hundred Videos, Art Metropole, 1997
Invitation, 18/100: Steve Reinke's The Hundred Videos, Art Gallery of Ontario, 1994/95
Invitation, The Hundred Videos (One to Sixty-Four), YYZ, 1994
Oboro pamphlet, Montreal, 1992/93
Expect Death, Stray image, circa 90