The artist decides to found his own art school and begins by assembling materials for the library. Finding too many words are available, he glues together the unnecessary pages of books.

Ever on the lookout for learning opportunities, Reinke envisions an art institute where you don't have to make anything, and with a library full of books glued together. All the information's there — you just don't have to bother reading it! (New York Video Festival catalogue 2002)

Reinke is the David Sedaris of Canadian video, though usually smuttier. Or at least that's how I explain his comical first person accounts of his obsessions and neuroses. He packs his ambitious The Hundred Videos (1990-96) and Sad Disco Fantasia with smart observations, but his cleverness occasionally wears thin. Anal Masturbation and Object Loss is one of his finest pieces yet. The image is minimal: a shot of Reinke glue sticking the pages of a book together. On the soundtrack, he explains his fantasy about a library where all the books have been sealed shut: all the information remains there, but no one has to bother reading it. He also explains "what's wrong with psychoanalysis," recounting his disappointment in reading Freud's "Anal Masturbation and Object Choice." Rather than delivering on the promise of its title, the case history tells of a girl who couldn't go to he bathroom after her brother died. Reinke asks, "Why isn't it called 'Constipation and Fraternal Death'?" Why, indeed.” (Best Film and Television of 2002 by Lucas Hilderbrand)